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He is a sympathetic character in that he was wronged by his usurping brother, but his absolute power over the other characters and his overwrought speeches make him difficult to like. In our first glimpse of him, he appears puffed up and self-important, and his repeated insistence that Miranda pay attention suggest that his story is boring her.
The pursuit of knowledge gets Prospero into trouble in the first place. By neglecting everyday matters when he was duke, he gave his brother a chance to rise up against him.
His possession and use of magical knowledge renders him extremely powerful and not entirely sympathetic.
His punishments of Caliban are petty and vindictive, as he calls upon his spirits to pinch Caliban when he curses. He is defensively autocratic with Ariel. For example, when Ariel reminds his master of his promise to relieve him of his duties early if he performs them willingly, Prospero bursts into fury and threatens to return him to his former imprisonment and torment.
He is similarly unpleasant in his treatment of Ferdinand, leading him to his daughter and then imprisoning and enslaving him. Watching Prospero work through The Tempest is like watching a dramatist create a play, building a story from material at hand and developing his plot so that the resolution brings the world into line with his idea of goodness and justice.
Many critics and readers of the play have interpreted Prospero as a surrogate for Shakespeare, enabling the audience to explore firsthand the ambiguities and ultimate wonder of the creative endeavor. Prospero emerges as a more likable and sympathetic figure in the final two acts of the play.
In these acts, his love for Miranda, his forgiveness of his enemies, and the legitimately happy ending his scheme creates all work to mitigate some of the undesirable means he has used to achieve his happy ending.
If Prospero sometimes seems autocratic, he ultimately manages to persuade the audience to share his understanding of the world—an achievement that is, after all, the final goal of every author and every play.Prospero has revolutionized the way I do business with my clients.
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It has definitely helped me land more clients in less time. Charlotte Perospero is the eldest son and child of the Charlotte Family, a member of the Big Mom Pirates, and Totto Land's Minister of Candy (キャンディ大臣 Kyandi Daijin), governing over Candy Island.
Due to his actions, he is a Debut: Chapter ; Episode Prospero from The Tempest is the rightful Duke of Milan and father to Miranda who he loves. In the plot, he was supplanted by his brother and sent on a boat to his death but survived by landing on the island.
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